BioMethod * acting * 3rd level
[ topics.txt ]
acting for the camera =
Stanislavsky
stanislavsky.us

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Dionysis-Biomechanics
Dionysis -- Biomechanics

Apollo-Method
Method -- Apollo

Directing Showcases
ShowCases: 3 Sisters, Mikado, 12th Night, Hamlet, The Importance of Being Earnest, Dangerous Liaisons, Don Juan
prof. Anatoly Antohin Theatre UAF AK 99775 USA

Summary

Looks like the subdirectories will serve as the pages for workbook!

Questions

2005: Total Acting & Total Directing *

Notes

filmplus

directories: Method Index * Theatre w/Anatoly * Theatre Books * 1. Character * 2. Role * 3. Actor * 4. Workbook * Biomechanics * Theatre Theory * Classes *

Acting: Stage -- Space & Time

Part III in textbook (2003) is MASK...

Why is it important to talk about "images"?

Acting III
Actor-Hamlet
HamletDreams 2001

2004 & After

projects:

texts:

in focus:

reading:

Links

PS

Inner and Outer Masks.

Two kinds of masks: fantasy and personal history.

Homework

Actors on Acting: The Theories, Techniques, and Practices of the World's Great Actors, Told in Their Own Words This book offers a wide variety of information on various acting styles and techniques. It provides the reader with a virtual history of acting. Though there is much information, much of it is not practical. Much of the information is in the form of exerpts from other books. There is no way to practically apply the information given in "Actors on Acting" without reading the entire book that the article being read comes from. This is more difficult because many of the actors quoted do not have books available. This book however is an excellent primer. A person begining to explore the craft of acting can find styles they would like to explore in greater depth without buying an entire book on that particular style. I recomend this book for anyone who is begining their study of the craft of acting.

Acting: A Handbook of the Stanislavski Method

Reset and redesigned to offer a fresh look, this is an essential, comprehensive guide to the art and science of acting, as taught by the creator and great teachers of the Stanislavski Method.

NB

Return to animals exerc.

Irreverent Acting

"The exercises and work in this book have enhanced my acting tremendously, given me a way of working that is unmatched by any other acting book I've ever come accross (and I've read a ton of em) and has made me a powerful teacher and director in my own right.
It explains Eric's Technique of Freeing the Instrument (Explained in great detail in his No Acting Please which should be read prior to this book.) It explains a new way of looking at material and personally connecting it to the actor through choices and choice approaches. It truly helps make the actor an artist in that he creates and is truly using himself.
If you utilize this work and combine it with some common sense of your own (if you don't combine it with some common sense--some of it can get you into trouble) your acting will take on a new dimension; you will be more open as an actor artist and human being.
You will learn how to free and tap into your emotions. How to make personal choices for your material. How to make Choice approaches or tools to connect you to the work and more! Read this book. Do the exercises. I can't recommend it enough."

Next: notes

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